Eva Ennist

Can you explain about your residency at Tartu? Your personal background with Estonia Your mother’s working gloves How these two aspects influenced…


Gjertrud Hals

Explain about your recent work with copper wire. EIR series, Knitted copper wire, Photo by Sjur Fedje  For the last 2-3 years I have been working…


Helen McAllister

Explain about your training both PHD in Practice Design and MA in Embroidered Textiles. The Embroidery interest emerged in my final years in school.…


Yekaterina (Katia) Mokeyeva 

Take one piece that you are proud of and explain why? Innovation is what I am probably the proudest of. In sayings like "The new is the…


Norma Minkowitz

So many found objects and textiles, how did this combination come about? Early on in the 1970's my work was both knitted and crocheted in opaque…


Aino Kajaniemi

How do you portray ‘moments and atmospheres in a persons life’ onto fabric? I see my art as symbols. In my tapestries I combine human beings and…


Chris Chun, Painter- Plus

Explain how you have your feet in both countries, Thailand and Australia? My husband and I have been based here in Chiang Mai since 2010. Originally,…


Muffy Clark Gill

Takes the old craft of batik; into contemporary art, giving it an new life. Zoneone Arts brings Muffy Clark Gill to you…   I  first discovered…


Jan Huling

Jan Huling, New York, USA Beads, beads and more beads make up the art by Jan Huling. Zoneone Arts brings Jan Huling to you… What lead you to beads?…


Yevgeniya Kaganovich

Yevgeniya Kaganovich, Milwaukee, USA How does Kaganovich find the time? With this complex mix, Professor and Associate Chair of the Department of Art…


Tasha Lewis

Tasha Lewis, New York, USA Tasha Lewis explains how she showed her art around the world.  The Swam went from the South Pole to her home city, New…


Sidhart Sodhani

How did the Dye School coming into being?  I have been running a natural dye manufacturing and retail business over the past four and a half years…


Annika Ekdahl

Why did you specialize in tapestry?  All throughout my childhood and teens I drew and painted, but the Green Wave winds in the 1970s awoke my longing…


Helen Richman

You have an ancient craft that you give a modern take to doing bespoke pieces. Can you give some insight into a small but precious piece you have…


Kristy Kun

Can you please comment on the statement, ‘Harnessed by the warmth and touch of her hands, wool emerges in a new dimension?’ I really can't stop my…


Barbara Burns

Can you expand on your relationship with fashion and your tapestry Revolution! Fashion Series? For about 10 years, I volunteered at a local…


Louise Saxton

You do not see your work as textile art, rather Mixed Media Assemblage can you expand on this? I describe myself as an “assemblage artist”, as my…


Bridget Davies

You have been involved in fashion discuss this in relation to your series ‘What to Wear when Walking the Dog’. My collection ‘What to Wear When…


Christine Atkins

You work in three mediums, textiles, sculpture and jewellery can you discuss the integration you have between them? Early in my career there was very…


Pamela MacGregor

Explain how you were introduced to felt and the possibilities it presents to you artistically? I was an art teacher for 28 years in a public school.…


Flo Snook

It is not just the sea but the influences made by man to the coastline e.g. piers, fishing cottages that are represented in you work, discuss. I am…


Meg Little

Explain the importance your move to Cornwall, in the UK, was to the development of your art in rug making? I moved to Cornwall in 1984 right after…


Luanne Rimel

Discuss why you tend to work in series? The content of my work deals with Time, i.e. the passage of time, memory, remembrance, decay, and even…