Lauren Betty
Can you expand on your comment, “…there is a rhythm that exists on the farm” how does this rhythm influence your art? When my husband and I came…
Greg Kent
Your wood comes via local tree surgeons. Do you give them a list of trees you are after, or is it a mystery delivery? I collect wood from wherever I…
Veronica Hodges
You are currently living and working in Denmark, how did this come about? I am born a raised in Denmark. My father was American and my mother…
Janine Heschl
It is going back to 2015 but I love the simplicity of ‘Jacket Sparrow’ discuss. Back in 2015, I had just finished an intense portrait of a meerkat…
Tina Vlassopulos
When did you decide to do one-off built pieces? I studied ceramics in the 70s when an interest in sculptural ceramics was just beginning to grow but…
Julie Nelson
Can you discuss the importance of symbolism in your work? Symbols allow us to communicate without the barrier of language. They might mean different…
Susan Avishai
You have been working with textile waste for the past ten years. What lead you to this area of art? Inspiration. My mother died in 2009 and the sad…
Kate Schuricht
On completion of your Three Dimensional Design degree you participated in a ceramic residency in Japan. How did your time in Japan influence and…
Sarah Hatton
How do you use different handles on different baskets? The basket usually tells you what handle it needs by its intended fuction. Shopping baskets…
Michelle Mischkulnig
Expand on your quote, “I am passionate about my art, created with joy”.Ramblers Garden 2, Detail I love starting each day with the sense of…
Susan Howe
How did you first become involved with POSHU? I first went to Africa in 2008 to live with my husband and children. Our neighbour was a doctor working…
Barbara Brown
Can you expand on your Installation – Red Oak Labyrinth? Many people in Ottawa have long desired to build a Botanical Garden. A plot of land was…
Eva Ennist
Can you explain about your residency at Tartu? Your personal background with Estonia Your mother’s working gloves How these two aspects influenced…
Gjertrud Hals
Explain about your recent work with copper wire.EIR series, Knitted copper wire, Photo by Sjur Fedje For the last 2-3 years I have been working…
Helen McAllister
Explain about your training both PHD in Practice Design and MA in Embroidered Textiles. The Embroidery interest emerged in my final years in school.…
David Oliveira
Your sculpture is just like a drawing. How did you come to this technique? I consider my sculptures drawings, or if you prefer 3D drawings. I was…
Norm Sartorius
You comment, “It’s (a spoon) an instrument, a tool of nurturing that is universal, or very close to universal, in the human experience.” Discuss.…
Alison Crowther
Can you explain how you came to be working with wood, especially at such a large scale? I started working with wood whilst doing my first degree in…
John Botica
Firstly, why pebbles? My interaction and encounter with pebbles was purely coincidental. My first cousins here in NZ are very successful and…
Christine Aaron
Christine Aaron, Porchester, NY, USA Making her mark in paper and wood with amazing effects. Zoneone Arts brings Christine Aaron to you… You call…
Neville French
Sumptuous-lavish, luxurious, opulent, magnificent, resplendent, lush, lavishly… These words only begin to introduce you to Neville French’s……
Rogan Brown
Expand on your comment, “Walking a narrow and sometimes contentious line between fact and fiction, observation and imagination” When I say that my…
Sidhart Sodhani
How did the Dye School coming into being? I have been running a natural dye manufacturing and retail business over the past four and a half years…
Nathalie Hartog-Gautier
You comment,’ My work is focused on the voyage between people and their environment ….’ Can you explain this in relationship to your art work? My…
Roger Bennett
Discuss the use of colour in your work. I colour my work with water-based wood dyes, and I finish with three applications of Danish oil which…
Ruth Levine
Your art is about visual transformation of materials, discuss. I’m not intentionally an eco-artist. I see discarded and new materials in a…
Velma Bolyard
You make paper from many different natural sources discuss two very different papers and discuss the comparisons and differences between the two.…
Mark Stoner
h4>‘In collaboration’, can be said quickly and flippantly, but in your work it becomes an integral part. Can you expand on this in relation to…
Evie Milo
You began your journey with a box of vintage buttons - tell us briefly about this creative journey? I say that and it is partly true but in…
Kristy Kun
Can you please comment on the statement, ‘Harnessed by the warmth and touch of her hands, wool emerges in a new dimension?’ I really can't stop my…
Outi Martikainen
Your work has changed greatly since you completed Textile Art and Design in 1999. Can you point out several of the milestones? The whole way through…
Alain Mailland
You are an active member of the French Association of Artistic Woodturning, discuss how this membership has assisted in your career and……
Valdis Harrysdotter
Please discuss your vegetable paper bowls? Inspiration design My inspiration is the material in itself. Handling the vegetable paper and thinking…
Benoît Averly
xplain how meeting and speaking to Gilbert Buffard changed everything for you? I met Gilbert Buffard in 2002. A friend of mine had taken a class…
Miles Allen
Has your art always been geometric and abstract? Apart from the occasional landscape or portrait my art has always been geometric and abstract. It…
Shannon Weber
Discuss how your work, had to be self-taught? When I first started making objects while living in a remote area along the Rogue River in Oregon, I…
Jan Hopkins
Can you discuss the way you continue to use organic materials such as, plant pods, flowers, and peel? I love the challenge of finding new materials…
Mariolina Mascarino
Can you discuss your thoughts on the overlapping of design and fashion in your work?In my mind design and fashion are true art forms which are…