Loren Eiferman
How overwhelmed do you feel about the environment we are passing onto the next generation? As with most of my circle, I feel very stressed about…
Jaynie Crimmins
Can you firstly, discuss the importance of the original text in all your pieces? My source materials are integral to the conceptualization of a…
Anne Petters
Having been born in Dresden how has this affected your art, with movements from, Germany, to USA and finally England? Born in Dresden in 1978 I grew…
Veronica Hodges
You are currently living and working in Denmark, how did this come about? I am born a raised in Denmark. My father was American and my mother…
Kait Rhoads
Explain how spending six years on a boat in the Caribbean has influenced your work? I grew up, mostly underwater. The rhythm of the sea dictated my…
Bob Quinn
Having had a career in advertising what lead you to take up full time sculpture? I always had an interest in sculpture, and illustration was part of…
Silvy Weatherall
The Last Supper: How did this work come into life?The concept was born after my studio was flooded by heavy rain. When clearing it out, I found…
Julie Nelson
Can you discuss the importance of symbolism in your work? Symbols allow us to communicate without the barrier of language. They might mean different…
Susan Avishai
You have been working with textile waste for the past ten years. What lead you to this area of art? Inspiration. My mother died in 2009 and the sad…
David Higgins
You have had many residencies take two and expand on how the actual residency developed your art. It is hard to say which residency has impacted me…
Laura Baruël
Your work is varied from origami, plant printing and large paper art. How and why have Nordic flowers played such an important role in this work? At…
Nigel Cheney
Your work is often full of storytelling – comment. I am driven by narrative. I tend to anthropomorphise to an unhealthy extent and from an early age…
Nigel Cheney
Your work is often full of storytelling – comment. I am driven by narrative. I tend to anthropomorphise to an unhealthy extent and from an…
Sally Cleary
What lead you to Paris? I married a French man in 2014 and moved to Paris. It was unexpected but life changing. How has your Australian background…
Pamela Sunday
What, lead you to leap into ceramics full time? I entered the world of ceramic serendipitously. A group of friends were searching for creative ways…
Gjertrud Hals
Explain about your recent work with copper wire.EIR series, Knitted copper wire, Photo by Sjur Fedje For the last 2-3 years I have been working…
April Surgent
How did you first meet John Piatt? I met John in the spring of 2018, after a mutual colleague that I met on a job in California suggested I contact…
Yekaterina (Katia) Mokeyeva
Take one piece that you are proud of and explain why? Innovation is what I am probably the proudest of. In sayings like "The new is the…
Norma Minkowitz
So many found objects and textiles, how did this combination come about? Early on in the 1970's my work was both knitted and crocheted in opaque…
David Oliveira
Your sculpture is just like a drawing. How did you come to this technique? I consider my sculptures drawings, or if you prefer 3D drawings. I was…
Georgie Seccull
How did you become involved in the Art of Dining exhibition at the NGV (National Gallery of Victoria)? Briefly discuss how the ‘whole’ table setting…
Yasemen Hussein
What made you move from glass to metal? I actually started off my imagined career as a dancer, god did I want to be a dancer, but my parents were…
Deborah Duffin MRSS
The natural world has had a huge influence on your work. How can this be seen in two current works and one from the past. I began to look at the…
Steffen Dam
What drew you to the natural world as a source of inspiration? My grandfather’s books have been an important inspiration for me. He was a dedicated…
Aino Kajaniemi
How do you portray ‘moments and atmospheres in a persons life’ onto fabric? I see my art as symbols. In my tapestries I combine human beings and…
Preston Singletary
Can you expand how important, your glass art has been to your own Tlingit cultural heritage. I cannot claim that my work is any more important than…
Alison Crowther
Can you explain how you came to be working with wood, especially at such a large scale? I started working with wood whilst doing my first degree in…
John Botica
Firstly, why pebbles? My interaction and encounter with pebbles was purely coincidental. My first cousins here in NZ are very successful and…
Antonia Salmon
Can we discuss the interesting past you have and how it has led and developed into the work you do today? Labarinth Pattern Axe Head Both my…
Chien Wei Chang
You have been in the UK since 2000, what lead you to take this leap from Taiwan to UK? I used to work in Tiffany & Co. Taiwan for nearly 4 years,…
Nancy Newmen-Rice
Through lines, geometry, windows, parquet floors, staircases, contemporary buildings, gothic cathedrals, both internal and external, Nancy Newman…
Christine Aaron
Christine Aaron, Porchester, NY, USA Making her mark in paper and wood with amazing effects. Zoneone Arts brings Christine Aaron to you… You call…
Jessi Wong
Rolls and scrolls, of paper and printing. Zoneone Arts brings Jessi Wong to you… Your work is in many Corporate Collections, please take one and…
Ray Besserdin
With years of working with paper, Ray Besserdin's paper truly becomes sculpture Zoneone Arts brings Ray Besserdin to you… Can you discuss and compare…
Muffy Clark Gill
Takes the old craft of batik; into contemporary art, giving it an new life. Zoneone Arts brings Muffy Clark Gill to you… I first discovered…
Jan Huling
Jan Huling, New York, USA Beads, beads and more beads make up the art by Jan Huling. Zoneone Arts brings Jan Huling to you… What lead you to beads?…
Yevgeniya Kaganovich
Yevgeniya Kaganovich, Milwaukee, USA How does Kaganovich find the time? With this complex mix, Professor and Associate Chair of the Department of Art…
Tasha Lewis
Tasha Lewis, New York, USA Tasha Lewis explains how she showed her art around the world. The Swam went from the South Pole to her home city, New…
Lisa Lloyd
Discuss the importance of natural patterns in your work? I’m blown away by the total beauty of nature: incredible patterns, symmetry, colour,…
Lisa Cahill
What lead you to glass making? A love of design let me to Glassmaking. I never even considered Glass as a medium until I chanced upon it at an open…
Nathalie Hartog-Gautier
You comment,’ My work is focused on the voyage between people and their environment ….’ Can you explain this in relationship to your art work? My…
Peter Hayes Bath
Your studio is in a very ‘special’ place can you share your studio and showroom with us? I converted the old toll house on Cleveland Bridge into a…
Annika Ekdahl
Why did you specialize in tapestry? All throughout my childhood and teens I drew and painted, but the Green Wave winds in the 1970s awoke my longing…
Catherine Greene
Your work can be found around the world, where is one of the least expected paces you thought it would end up in? There is work of mine in many…
John K Brown
Can you give a short timeline as to how you became involved in sculpture using salvaged materials? I’ve always wanted to be an artist. As a child I…
Melissa Jay Craig
You make your own paper – what are the sources of your base materials? More and more, the fibres I use are ones I harvest from my small yard,…
Severija Inčirauskaitė-Kriaunevičienė
Can you explain how you first began this combination of metal and embroidery? I will admit that this is one of the most popular questions I get…
Stephen Knapp
Can you explain briefly the technique you use to produce your lightpaintings? Working with shapes that I have drawn my assistants cut and polish…
Joan Waters
You began your art training in 1976 when did the use of welded steel begin and how? Some background—I was born in England, and grew up in Baltimore,…
Mark Stoner
h4>‘In collaboration’, can be said quickly and flippantly, but in your work it becomes an integral part. Can you expand on this in relation to…