Ray Besserdin

With years of working with paper, Ray Besserdin's paper truly becomes sculpture Zoneone Arts brings Ray Besserdin to you… Can you discuss and compare…


Muffy Clark Gill

Takes the old craft of batik; into contemporary art, giving it an new life. Zoneone Arts brings Muffy Clark Gill to you…   I  first discovered…


Jan Huling

Jan Huling, New York, USA Beads, beads and more beads make up the art by Jan Huling. Zoneone Arts brings Jan Huling to you… What lead you to beads?…


Yevgeniya Kaganovich

Yevgeniya Kaganovich, Milwaukee, USA How does Kaganovich find the time? With this complex mix, Professor and Associate Chair of the Department of Art…


Tasha Lewis

Tasha Lewis, New York, USA Tasha Lewis explains how she showed her art around the world.  The Swam went from the South Pole to her home city, New…


Peter Hayes Bath

Your studio is in a very ‘special’ place can you share your studio and showroom with us? I converted the old toll house on Cleveland Bridge into a…


Karen LaMonte

Rather than ask Karen LaMonte to repeat herself by answering my questions Zoneone Arts knows you will be enthralled by watching the video as Karen…


Francesca Vitali

How did you first become involved with paper? I have always folded paper since I was a kid. My parents' store, among other things used to run a lotto…


Carol Milne

Can you explain simply the technique you use to cast your pieces? The technique is basically lost-wax casting.  It’s the same process used in bronze…


Catherine Greene

Your work can be found around the world, where is one of the least expected paces you thought it would end up in?  There is work of mine in many…


John K Brown

Can you give a short timeline as to how you became involved in sculpture using salvaged materials? I’ve always wanted to be an artist. As a child I…


Nick Chase

You bring both urban and natural landscapes to your glass work – discuss the technique you use? Take ‘Street View’  Where is the street?  The Image…


Marlene Kawalez

Can you discuss the way you are currently working using a combination two materials, glass and clay within one piece? One of the most challenging…


César Orrico

When did you first combine wood into your sculptures? I have always been interested in research on the different materials applied to sculpture.…


Karina Furhman

How often do you ask a person to pose for you? I imagine sculpting everyone I see. Everyone has beautiful details either in the bone structure or in…


Michaël Cailloux

 Your work is often called jewellery for walls discuss this in relationship to your work? I decided to call my sculptures “Wall jewelry” because I…


Prue MacDougall

Can you expand on your “performing magic” comment in relations to your art? I work intuitively with my materials, and also from my imagination so…


Lorenzo Chinnici

Can you explain about the chance meeting of your son with David Kent’s son in Brick Lane, London and where and how this lead to ‘Synergy of Sons’?…


Alain Mailland

You are an active member of the French Association of Artistic Woodturning, discuss how this membership has assisted in your career and……


Benoît Averly

xplain how meeting and speaking to Gilbert Buffard changed everything for you? I met Gilbert Buffard in 2002. A friend of mine had taken a class…


Christine Atkins

You work in three mediums, textiles, sculpture and jewellery can you discuss the integration you have between them? Early in my career there was very…


Jonathan Whitfill

Media Expand on the inspiration of the work? Almost all of the work that I make comes from language based concepts of individual units combining to…


Deborah Smith

Can you discuss the importance of movement in your work? When I collect a piece driftwood that I’ll use for my work, I find myself imagining the…


Jennifer Collier

 Do the materials you source speak to you? The papers themselves serve as both the inspiration and the media for my work, with the narrative of the…


Lanny Bergner

When do you decide which of your work will be large pieces or installation pieces? This varies depending on the exhibition venue. Sometimes I will do…


Vally Nomidou

Your exhibition ‘Let it Bleed’ is made up of female forms. Can you explain the vulnerability you have been able to portray? Fragility is the way…


Gary Drostle

How did you come to work in this particular medium? After leaving Art College in 1984 I knew I wanted to work outside the gallery system, in public…