Neville French

Sumptuous-lavish, luxurious, opulent, magnificent, resplendent, lush, lavishly… These words only begin to introduce you to Neville French’s……


Rogan Brown

Expand on your comment, “Walking a narrow and sometimes contentious line between fact and fiction, observation and imagination” When I say that my…


Sidhart Sodhani

How did the Dye School coming into being?  I have been running a natural dye manufacturing and retail business over the past four and a half years…


Nathalie Hartog-Gautier

You comment,’ My work is focused on the voyage between people and their environment ….’  Can you explain this in relationship to your art work? My…


Roger Bennett

Discuss the use of colour in your work. I colour my work with water-based wood dyes, and I finish with three applications of Danish oil which…


Ruth Levine

Your art is about visual transformation of materials, discuss. I’m not intentionally an eco-artist. I see discarded and new materials in a…


Velma Bolyard

You make paper from many different natural sources discuss two very different papers and discuss the comparisons and differences between the two.…


Mark Stoner

h4>‘In collaboration’, can be said quickly and flippantly, but in your work it becomes an integral part.  Can you expand on this in relation to…


Evie Milo

You began your journey with a box of vintage buttons - tell us briefly about this creative journey?   I say that and it is partly true but in…


Kristy Kun

Can you please comment on the statement, ‘Harnessed by the warmth and touch of her hands, wool emerges in a new dimension?’ I really can't stop my…


Outi Martikainen

Your work has changed greatly since you completed Textile Art and Design in 1999. Can you point out several of the milestones? The whole way through…


Alain Mailland

You are an active member of the French Association of Artistic Woodturning, discuss how this membership has assisted in your career and……


Valdis Harrysdotter

Please discuss your vegetable paper bowls? Inspiration  design My inspiration is the material in itself.  Handling the vegetable paper and thinking…


Benoît Averly

xplain how meeting and speaking to Gilbert Buffard changed everything for you? I met Gilbert Buffard in 2002. A friend of mine had taken a class…


Miles Allen

 Has your art always been geometric and abstract? Apart from the occasional landscape or portrait my art has always been geometric and abstract. It…


Shannon Weber

Discuss how your work, had to be self-taught? When I first started making objects while living in a remote area along the Rogue River in Oregon, I…


Jan Hopkins

Can you discuss the way you continue to use organic materials such as, plant pods, flowers, and peel? I love the challenge of finding new materials…


Mariolina Mascarino

Can you discuss your thoughts on the overlapping of design and fashion in your work? In my mind design and fashion are true art forms which are…