Frances Priest
Discuss the importance of detail in your work I have always been drawn to intricate things, providing a place for concentration focus and respite……
Peter Minson
You are a third-generation glass blower. Did you ever consider another career away from glass? As a 13-14 year old I would go to the factory in…
Norm Sartorius
You comment, “It’s (a spoon) an instrument, a tool of nurturing that is universal, or very close to universal, in the human experience.” Discuss.…
Reiko Miyagi
East meets West and Reiko Miyagi produces new ceramics Zoneone Arts brings Reiko Miyagi to you… Can you explain about your pottery training and…
Neville French
Sumptuous-lavish, luxurious, opulent, magnificent, resplendent, lush, lavishly… These words only begin to introduce you to Neville French’s……
Lisa Cahill
What lead you to glass making? A love of design let me to Glassmaking. I never even considered Glass as a medium until I chanced upon it at an open…
Kevin Gordon
Clear Sea Urchin Expand on the influence your parents have had on your glass career? With both parents being artists, I guess they laid the seed, I…
Helen Earl
You currently are currently exhibiting work as part of The North Head Project curated by Katherine Roberts at Manly Art Gallery & Museum. Can you…
Claire Molloy
You combine two techniques in your pottery, horsehair and saggar firing. Can you take one piece and explain both the combinations and techniques? I…
Roger Bennett
Discuss the use of colour in your work. I colour my work with water-based wood dyes, and I finish with three applications of Danish oil which…
Shimara Carlow
Can you expand on your relationship to nature and in particular seed pods in your jewellery? While studying at Glasgow School of Art in Scotland, our…
Tina Puckett
You call your work ‘Woven Art’ can you expand on this choice of words? My mother gave me a gift of a class on weaving an Egg Basket in the fall of…
Ruth Levine
Your art is about visual transformation of materials, discuss. I’m not intentionally an eco-artist. I see discarded and new materials in a…
Nick Chase
You bring both urban and natural landscapes to your glass work – discuss the technique you use? Take ‘Street View’ Where is the street? The Image…
Susan Wechsler
You can thank your mother for your mosaic art - explain. My mom has always been a big influence on my creative life. She is an artist too at a time…
Anne Sorensen
You have been fortunate in having a mentor, discuss how this came about and how important it has been in your artistic career? In 2013 I was…
Mark Noble
John Constable understood Turners vision as golden visions, glorious and beautiful. Can you discuss your own feeling related to the visions around…
Amy Cooper
Expand on how you decided to return to University with the primary goal to set up your own business and how this unfolded? I had done years of…
Nicole Aquillano
What lead you to leave your former career and take up a full time career in ceramics? I realized that life was too short to not love what I do…
Ian Turnock
“Drawings and photographs are the starting point from which I develop organic, abstract and figurative forms.” Please expand on this? I take…
Jo Davies
You began your art education at Cardiff School of Art and Design in 1999 by 2002 you had specialized in ceramics what made you take up ceramic above…
Tiffany Scull
Discuss your work in relation to Art Nouveau movement? I feel a strong connection visually to Art Nouveau in relation to the way I use the natural…
Alain Mailland
You are an active member of the French Association of Artistic Woodturning, discuss how this membership has assisted in your career and……
Valdis Harrysdotter
Please discuss your vegetable paper bowls? Inspiration design My inspiration is the material in itself. Handling the vegetable paper and thinking…
Lynne Meade
Before we discuss all the changes in your work can we take a quick look at the past?You did your art training majoring in ceramics, when did you…
Deborah Smith
Can you discuss the importance of movement in your work? When I collect a piece driftwood that I’ll use for my work, I find myself imagining the…
Pamela MacGregor
Explain how you were introduced to felt and the possibilities it presents to you artistically? I was an art teacher for 28 years in a public school.…
Flo Snook
It is not just the sea but the influences made by man to the coastline e.g. piers, fishing cottages that are represented in you work, discuss. I am…
Meg Little
Explain the importance your move to Cornwall, in the UK, was to the development of your art in rug making? I moved to Cornwall in 1984 right after…